The DP4K-P postproduction projector is the world’s first 4K DLP projector that meets the high-performance demands for postproduction, archiving, restoration and 4K color grading.
Ultimate image quality

• Crisp 4K images with superior uniformity
• Excellent color matching thanks to extra wide color gamut
• Increased detail through exceptionally high contrast ratio
• Software tuned to the postproduction workflow
• Ultimate ease of use thanks to an intuitive user interface
• Easy servicing through modular design

Baselight TWO is a powerful multi-role system with four GPUs, making it more than able to handle a very wide range of grading and finishing projects across the entire gamut of motion-picture post-production.

A powerful multi-role system Baselight TWO is a powerful multi-role system with four GPUs, making it more than able to handle a very wide range of grading and finishing projects across the entire gamut of motion-picture post-production. From feature films to commercials and from broadcast TV to online music videos, Baselight TWO delivers maximum quality and performance.

• Integrated 80TB, 160TB or 240TB cache-protected RAID 6 storage.
• Automatic background rendering and high-speed disk caching for instant real-time playback.
• Powerful filters and image improvement tools including de-grain, de-noise, and de-spot.
• Truelight Colour Spaces for the most accurate colour space conversions.
• Full support for grade import and export using the FilmLight BLG file format
• Playback and grade raw digital camera footage directly from the timeline with no transcoding.
• Freely mix all resolutions and formats (including native camera formats) within the same timeline
• Unlimited, GPU accelerated ‘inside/outside’ grade and effect layers with unlimited soft-edged Bezier shapes

The Blackboard defined the direction for colour grading. But technology evolves and art advances. Colour grading has developed new techniques as desire has become reality.

Complexity, speed, efficiency – the drive continues. Inheriting the pedigree, Blackboard 2 evolves the concept, refining the method and enabling the future of colour grading.

Blackboard 2 engages the colourist to form the perfect partnership, enabling the future of colour grading.

• Prerequisites: Baselight system (ONE, TWO or X)
• Controls: Surface-labelled, high contrast, wide viewing angle
• Encoders: Limitless, rotary optical
• Display screens: 4 screens
• Jog/shuttle: Customisable magnetic clutch optical encoder with detents Software
• Keyboard: Full, soft-mapped QWERTY keyboard on adaptive keys

It’s the 4K HDR monitor professional colourists have been waiting for. An optimal choice for critical colour grading and CG tasks, the BVM-HX310 offers support for industry leading wide colour gamuts including DCI P3, ITU R BT.2020, S Gamut3.cine and S Gamut3. With consistent, faithful colour reproduction over the entire luminance range, it’s an ideal partner for cinematography production and post production workflow with Sony’s 4K cinematography cameras.
Note: BVM HX310 does not cover the ITU-R BT.2020, S-Gamut/S-Gamut3 and S-Gamut3.cine colour space in full.

• Ready for HDR
• Support for VPID (Video Payload ID)
• Easy System Integration
• Work in Real time
• True Interlace mode
• Area aspect ratio markers

Directors Choice / Four-Way, Continuously Variable Masking Screen System. The ultimate integration of the world’s finest screen material and the most precise masking system

• Pixel for pixel perfection in any aspect ratio
• Director’s Choice EVO – reduced border, bigger image, stunning experience
• Reference quality 16K+ screen materials live here
• Definitive CVM control system