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Talos is a medium sized rig designed for easy, portable motion control – making it ideal for location work. Half the weight of the larger Milo rig, the Talos still offers a wide operating envelope, making it a good alternative for shoots where space or transport is a factor.
Able to access areas that other motion control rigs might struggle to, the Talos is small enough to pass through standard sized doorways, without dismantling, to enable easy filming in small buildings and confined spaces, even when operating on rails.
The EPIC-X RED DRAGON® W/ SIDE SSD AND LENS MOUNT is a high-performance, production-run DSMC camera package designed for professional still and motion image acquisition. Capture 6K images from 1-100 fps and take advantage of an arsenal of features such as wireless remote control (via REDMOTE®), modular design, and expanded dynamic range – without the burden of dealing with a large, bulky system. The DSMC FAN KIT 2.0 (TOP/BOTTOM) comes pre-installed in every EPIC-X RED DRAGON for quieter, more efficient cooling.
AEIREGON was designed for strength with a lightweight body of prepreg carbon-fiber consisting of a 6 arm helicopter and a stabilized camera gimbal standing on 3 feet. Each helicopter arm has 2 counter-rotating rotors with a proprietary power distribution system providing the power and precision to fly professional camera configurations with pro zoom lenses and full FIZ (Focus, Iris and Zoom) control.
The 75mm Master Prime is one in a set of 16 from ARRI/Zeiss featuring excellent resolution, advanced contrast, almost no breathing, and a fast T1.3 aperture for achieving shallow depth of field. Ranging from 12mm to 150mm, the Master Primes offer the skin tones and color rendition for which Zeiss is noted, and are color-matched for consistency across the set. These lenses incorporate an iris with at least nine blades for cinematic-looking bokeh with distinct focus fall-off. Dual floating elements provide optimal close-focus performance while minimizing breathing when focusing. The advanced T*XP coating reduces reflections and glare while improving contrast.
The 50mm Master Prime is one in a set of 16 from ARRI/Zeiss featuring excellent resolution, advanced contrast, almost no breathing, and a fast T1.3 aperture for achieving shallow depth of field. Ranging from 12mm to 150mm, the Master Primes offer the skin tones and color rendition for which Zeiss is noted, and are color-matched for consistency across the set. These lenses incorporate an iris with at least nine blades for cinematic-looking bokeh with distinct focus fall-off. Dual floating elements provide optimal close-focus performance while minimizing breathing when focusing. The advanced T*XP coating reduces reflections and glare while improving contrast.
The 35mm Master Prime is one in a set of 16 from ARRI/Zeiss featuring excellent resolution, advanced contrast, almost no breathing, and a fast T1.3 aperture for achieving shallow depth of field. Ranging from 12mm to 150mm, the Master Primes offer the skin tones and color rendition for which Zeiss is noted, and are color-matched for consistency across the set. These lenses incorporate an iris with at least nine blades for cinematic-looking bokeh with distinct focus fall-off. Dual floating elements provide optimal close-focus performance while minimizing breathing when focusing. The advanced T*XP coating reduces reflections and glare while improving contrast.
Canon’s brilliant Cinema Prime lenses offer spectacular optical performance for demanding high-end productions. Featuring a compact and consistent lens design, these lenses offer consistent form factors and markings optimized for motion picture production. Sharing the same gear position, diameter and rotation angle, and front diameter-the lenses’ compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup. Perfect on all Canon Cinema cameras, these lenses are also compatible with all Canon EOS DSLRs.
Canon’s brilliant Cinema Prime lenses offer spectacular optical performance for demanding high-end productions. Featuring a compact and consistent lens design, these lenses offer consistent form factors and markings optimized for motion picture production. Sharing the same gear position, diameter and rotation angle, and front diameter-the lenses’ compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup. Perfect on all Canon Cinema cameras, these lenses are also compatible with all Canon EOS DSLRs.
The renowned AF-S NIKKOR 14–24mm f/2.8G ED delivers exceptional sharpness and coverage. This lens was the first of its kind when it launched, and it’s still out front today.
Truly in a class of its own, this ultra-wide-angle lens delivers incredible sharpness, contrast and colour—whether you shoot stills or movies.
With its ultra-wide 14–24mm zoom range and constant f/2.8 maximum aperture, this lens delivers unrivalled performance. It’s the lens of choice for many pros shooting events, landscapes, architecture, interiors, and even close-up portraits. You can expect consistently exceptional results even when you shoot with available light.
Professional, fast aperture, standard zoom lens with SWM for fast and quiet Autofocus. Designed for digital, this lens rivals that of fixed focal length lenses for edge to corner sharpness, and features a Nano Crystal coating to minimize ghost and flare.
With its ultra-wide 14–24mm zoom range and constant f/2.8 maximum aperture, this lens delivers unrivalled performance. It’s the lens of choice for many pros shooting events, landscapes, architecture, interiors, and even close-up portraits. You can expect consistently exceptional results even when you shoot with available light.
A super-telephoto lens, ideal for news photography and shooting distant subjects in track and field, winter sports, and water sports. This premium lens includes a dedicated, custom-tuned 1.25x teleconverter that extends the focal length to 1000 mm with effective maximum aperture of f/7, while maintaining outstanding optical performance.
A standard portrait lens with applications in fashion, beauty, lifestyle and sports. In addition, the 150mm LS is also ideal for nature photography due to very little camera vibration using leaf shutter only.
The Schneider Kreuznach 240mm LS is optimized specifically for digital capture and is an ideal lens for you to get close to your subjects whether you’re shooting beauty, sports, landscape or wildlife.
The Schneider Kreuznach 28mm LS Aspherical provides full coverage of the 645 format and the market’s fastest flash synchronization capabilities.
Schneider Kreuznach 40-80mm LS f/4.0-5.6 Zoom lens performs with ultra sharp rendition on all focal lengths. The optical quality of this zoom lens is comparable with what you would expect from a genuine prime lens.
In combination with the Schneider Kreuznach 75-150mm LS f/4.0-5.6 Zoom, the focal length range is complete, from 40mm to 150mm with only two lenses.
This is the standard focal length lens offering the greatest versatility. Flash sync up to 1/1600th of a second. A preferred choice for location fashion photographers using fill flash.
Our full-service studio puts everything together under one roof. Camera and motion control technology, sound, post-production, and colour grading – all here in Jeddah. With everything on-site, our process is streamlined and stress-free, giving clients more time to focus on the creative process and vision behind their work
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info@oasis-studios.com
(+44) 7340 850 888
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