Orbiter is an extremely bright and powerful, directional LED fixture with an output similar to that of the corresponding HMI systems. Orbiter’s high, yet tuneable, ARRI Spectra light engine output can create hard shadows with defined edges.

Orbiter is an ultra-bright, tunable, and directional LED fixture from ARRI. All systems in Orbiter are completely new and designed with versatility in mind. Orbiter’s new six-color light engine delivers a wide-color gamut and outstanding color rendition across all color temperatures along with industry-leading, smooth dimming from 100 to 0%.

Unlike other tuneable fixtures, SkyPanel makes no sacrifice when it comes to light output. SkyPanel puts out a tremendous amount of light, in a soft and uniform beam field. Brighter than a 2 kW tungsten soft light or a 6 kW tungsten space light, the SkyPanel S60 has more than enough light for most applications.

• Fully Tuneable. Get the color you want in seconds
• Built to last. Constructed with great care from. Durable materials
• Remote Phosphor Version. Extra brightness, amazing color
• Accessories for your choice. Use and adapt SkyPanel according to your needs.
• Impressive Lighting Effects.  You design the vivid Move
• Familiar but Revolutionary. Multi-ways to control.
• Single Soft, Clean Shadow. The proof is in the shadows.
• Outstanding Color Rendition. LED white light without sacrifices
• True Soft light Beam Quality. Soft and Uniform is the name of the game
• Tremendous Output.  One of the brightest soft lights on the Market.

Soft. Lights are all about size, the larger the aperture the better. With the S360-C , size has not been compromised. The. Surface area  of the S360-C. is over 5.8 times larger than the S60 and produces beautiful soft light in a wide 105 beam angle. The light will wrap around large objects and throw much farther than the smaller SkyPanels.

• Enormous Aperture
• Lumens and more Lumens
• At over 120,000 lumens, the S360-C is one of the brightest LED soft lights on the market
• Wireless DMX, Built-In
• FULL-Color Tuneability
• Lighting Effects on a Grand Scale
• Swappable panels

With the Academy Award-winning, lensless 18/12 ARRIMAX, ARRI unveiled a new type of reflector. It was used again for the M18, which introduced a new power class and redefined on-set workflows. These fixtures made lighting easier and demand increased for the same technology to be applied to traditional power classes; this led to the release of the M40 and M90, establishing the concept of an entire product range positioned under the banner of MAX Technology.

• Lens-less MAX Technology: Easy to use
• Around 30 % brighter than AS 40
• Compensation for Cable Losses (CCL)
• Tubular steel yoke
• Two disk brakes with steel handles
• Cross-Cooling allows safe operation at extreme tilt angles
• Suitable for high frame rate images
• IP Rating IP23

With the Academy Award-winning, lensless 18/12 ARRIMAX, ARRI unveiled a new type of reflector. It was used again for the M18, which introduced a new power class and redefined on-set workflows. These fixtures made lighting easier and demand increased for the same technology to be applied to traditional power classes; this led to the release of the M40 and M90, establishing the concept of an entire product range positioned under the banner of MAX Technology.

• Lens-less MAX Technology: Easy to use
• New 1,800 W lamp
• Virtually the same size as a 1,200 W lamphead but more than 70 % brighter
• Runs from most domestic sockets world-wide
• Uses existing 575/1,200/1,800 W cables
• Can also be used with 1,200 W lamps and ballasts
• Cross Cooling allows safe operation at any tilt angle
• IP Rating IP23
• True Blue tilt lock holds even heavy Chimeras
• Easy maintenance

ARRI’s versatile daylight products meet the diverse needs of the lighting profession for projects of any size and in situations where the highest light output is required. Proven by decades of use on location and in the studio to perform reliably in all weather and climate conditions, ARRI lights are designed and built by professionals for professionals.

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Canon’s brilliant Cinema Prime lenses offer spectacular optical performance for demanding high-end productions. Featuring a compact and consistent lens design, these lenses offer consistent form factors and markings optimized for motion picture production. Sharing the same gear position, diameter and rotation angle, and front diameter-the lenses’ compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup. Perfect on all Canon Cinema cameras, these lenses are also compatible with all Canon EOS DSLRs.

• Outstanding Optical Performance to Support 4K Cameras
• High Resolution and Warm Colors
• Fast T Number
• Unified Warm Color Balance within Canon Cinema Lenses
• Minimized Focus Breathing

Canon’s brilliant Cinema Prime lenses offer spectacular optical performance for demanding high-end productions. Featuring a compact and consistent lens design, these lenses offer consistent form factors and markings optimized for motion picture production. Sharing the same gear position, diameter and rotation angle, and front diameter-the lenses’ compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup. Perfect on all Canon Cinema cameras, these lenses are also compatible with all Canon EOS DSLRs.

• Outstanding Optical Performance to Support 4K Cameras
• High Resolution and Warm Colors
• Fast T Number
• Unified Warm Color Balance within Canon Cinema Lenses
• Minimized Focus Breathing

The renowned AF-S NIKKOR 14–24mm f/2.8G ED delivers exceptional sharpness and coverage. This lens was the first of its kind when it launched, and it’s still out front today.

Truly in a class of its own, this ultra-wide-angle lens delivers incredible sharpness, contrast and colour—whether you shoot stills or movies.

With its ultra-wide 14–24mm zoom range and constant f/2.8 maximum aperture, this lens delivers unrivalled performance. It’s the lens of choice for many pros shooting events, landscapes, architecture, interiors, and even close-up portraits. You can expect consistently exceptional results even when you shoot with available light.

Professional, fast aperture, standard zoom lens with SWM for fast and quiet Autofocus. Designed for digital, this lens rivals that of fixed focal length lenses for edge to corner sharpness, and features a Nano Crystal coating to minimize ghost and flare.

With its ultra-wide 14–24mm zoom range and constant f/2.8 maximum aperture, this lens delivers unrivalled performance. It’s the lens of choice for many pros shooting events, landscapes, architecture, interiors, and even close-up portraits. You can expect consistently exceptional results even when you shoot with available light.

• 24-70mm zoom range (DX equivalent: 36-105mm).
• Nano Crystal coat reduces ghost and flare.
• Slim, durable and lightweight barrel.
• SWM (Silent Wave Motor) for whisper quiet and fast autofocus.
• ED glass to minimize chromatic aberration.
• Closest focusing distance: 0.38 m (at 50 mm).
• Rubber mount seal.
• Instant manual focus override (M/A).
• Detachable hood and soft pouch CL-M3 included.

A super-telephoto lens, ideal for news photography and shooting distant subjects in track and field, winter sports, and water sports. This premium lens includes a dedicated, custom-tuned 1.25x teleconverter that extends the focal length to 1000 mm with effective maximum aperture of f/7, while maintaining outstanding optical performance.

• FX-format compatible, super-telephoto single-focal-length lenswith a focal length of 800 mm and a maximum aperture of f/5.6.
• Dedicated teleconverter:the AF-S TELECONVERTER TC800-1.25E ED is supplied with the lens (this item is not sold separately). The first teleconverter to feature an ED glass element, each one is custom-tuned to optimally match each individual lens, extending the focal length to 1000 mm with effective maximum aperture of f/7.
• High optical performance:the optical system incorporates two fluorite and two ED (extra-low dispersion) glass elements for light weight and minimal chromatic aberration.
• Nano Crystal Coat: effectively reduces ghosting and flare even in backlit situations.
• Vibration Reduction (VR) stabilization system: lets you use shutter speeds that are up to 4.5* stops slower.
• Electromagnetic diaphragm mechanism:enhances stability in auto-exposure control during continuous shooting (not compatible with the D2 series, D1 series, D200, D100, D90, D80, D70 series, D3000, D60, D50, D40 series, F6).
• Filter: features a 52 mm screw-in filter holder, and includes a 52 mm NC filter.
• Closest focusing distance: 9 m from focal plane (5.8 m in manual focus).
• Magnesium alloy: ensures the body is lightweight and rugged.
• Lightweight:the lens weighs approx. 4560 g (160.8 oz). The teleconverter weighs approx. 150 g (5.3 oz).

A standard portrait lens with applications in fashion, beauty, lifestyle and sports. In addition, the 150mm LS is also ideal for nature photography due to very little camera vibration using leaf shutter only.

• Flash synchronization up to 1/1600th
• Long focal length, tack-sharp with minimal vibration
• Compact and light weight design
• Metal Lens hood

The Schneider Kreuznach 240mm LS is optimized specifically for digital capture and is an ideal lens for you to get close to your subjects whether you’re shooting beauty, sports, landscape or wildlife.

• Super sharp lens with great resolution power
• Up to 1/1000s giving unique control in mixed lighting
• Internal focusing, no external component movement when lens focuses
• Exceptional performance whether you’re shooting beauty, landscape, sports or wildlife
• Compatible with the 2x Converter for maximum focal length
• Build in metal lens hood

The Schneider Kreuznach 28mm LS Aspherical provides full coverage of the 645 format and the market’s fastest flash synchronization capabilities.

• Flash synchronization up to 1/1600s
• 102° viewing angle and a minimum focusing distance of 35 cm
• Ideal for interior, landscape, architecture and creative editorial photography
• Nearly distortion free
• Minimal Light Falloff

Schneider Kreuznach 40-80mm LS f/4.0-5.6 Zoom lens performs with ultra sharp rendition on all focal lengths. The optical quality of this zoom lens is comparable with what you would expect from a genuine prime lens.

In combination with the Schneider Kreuznach 75-150mm LS f/4.0-5.6 Zoom, the focal length range is complete, from 40mm to 150mm with only two lenses.

• Prime lens quality on full zoom range
• Preferred lens for location shoots from wide to normal focal length
• Flash synchronization up to 1/1600th f4/5.6 – f45
• Practically no focus shift during zoom
• Zoom lock function on barrel

This is the standard focal length lens offering the greatest versatility. Flash sync up to 1/1600th of a second. A preferred choice for location fashion photographers using fill flash.

• Flash synchronization up to 1/1600th
• Fast aperture allowing shallow depth of field
• Extreme optical performance
• Edge-to-edge sharpness